Olafur Eliasson’s “Riverbed” Converts a Museum into a Natural Landscape
Danish-Icelandic artist Olafur Eliasson, known for his large-scale installations employing elemental materials like light, water, earth, and even atmosphere, transformed an entire wing of Denmark’s Louisiana Museum of Modern Art into a riverbed for his first solo exhibition. The work, which uses rocks, soil, and running water to precisely emulate a natural landscape, stands in stark contrast to the white walls of one of Denmark’s most important Modernist buildings. Originally designed in 1958 by architects Jørgen Bo and Wilhlem Wohlert, the Louisiana’s staggered, irregularly sized portals create an experience that highlights movement through space. By filling the Louisiana with a landscape its galleries might have replaced, Eliasson heightens the haptic qualities of this experience and points to the reality of the museum as an institution and a physical locality. The work raises the question of how natural and built environments might intersect, though it is up to the viewer to decide whether this tension is constructive or destructive.
5. Thou shalt break bread at home, not in thy seat.
That taco/burger/curry doesn’t deserve to be eaten on a cramped, poorly ventilated bus. Take it home, maybe throw on a little music, dance with it. Your fellow passengers, and your meal, will thank you.
Second Life: The Heineken WOBO Doubles as Beer Bottle and Brick
Fifty years ago, Heineken developed a revolutionary and sustainable design solution to give its beer bottles a second life: as an architectural brick. The concept arose after brewing magnate Alfred Heineken visited Curacao during a world tour of his factories in 1960. He was struck by the amount of beer bottles—many bearing his name—littering the beaches and the lack of affordable building materials for residents. In a stroke of genius (or madness), Heineken realized both problems could be solved if beer bottles could be reused as structural building components. Enlisting the help of Dutch architect N. John Habraken, Heineken created a new bottled design—dubbed the Heineken WOBO (World Bottle)—that doubled as a drinking vessel and a brick. As author and architecture critic Martin Pawley notes, the WOBO was “the first mass production container ever designed from the outset for secondary use as a building component.” The new squared off bottle was both inter-locking and self-aligning, allowing it to nestle seamlessly and snugly into adjoining “bricks.” With Habraken’s design, a 10 by 10 foot hut could be constructed with 1,000 WOBO bottles. Though a test run of 100,000 bottles was produced in 1963, the marketing department’s worries about liabilities doomed the project. The WOBO was subsequently and unceremoniously retired. Though only two official WOBO buildings remain, both on the Heineken estate in Noordwijk near Amsterdam, the concept remains a powerful and inspiring one one. Indeed, the experiment is a reminder of how a major corporation might seriously take on sustainability in an innovative way.